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- Review of *Australian Poetry: Romanticism and Negativity* by Paul Kane, and *Bridging: Readings in Australian Women's Poetry* by Rose Lucas and Lyn McCreddenReview1 May 1997
- Oodgeroo’s Work and Its Theatrical PotentialEssay1 November 1994
- James Lester Burke, Martin Cash and Frank the PoetEssay1 May 1992
- Henry Handel Richardson Fifty Years OnEssay1 May 1998
- Why Australia? Or Against the Fragmentation of English Literary StudiesEssay1 May 2000
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- When ‘History Changes Who We Were’Review1 November 2008
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009