‘… we are not saved from places, but in and through places.’
-- Leonard Hjalmarson
When Jaxie Clackton flees into the remote, empty, salt country in The Shepherd’s Hut he has no idea that he is headed toward a priest or toward his own salvation. While he hopes that the landscape might protect him and believes he needs some ‘kind of saving’, he does not imagine the salt country will shape him, scar him, transform him, lead him into sacred conversations, and evoke the numinous (Winton Shepherd’s Hut 22). Yet, he departs the salt country with newly formed identity and purpose, with the liberating knowledge that he is ‘[a]n instrument of God’ and that ‘peace is on its way’ (Shepherd’s Hut 266–67). Jaxie’s experience is an example of the way place works on characters, and of the role salt plays in Tim Winton’s novels and non-fiction. Ubiquitous to Western…