In late 2014, when New York based radio journalist Bryan Reed arrives in Woodstock, Alabama, he is expecting to investigate a lurid if somewhat predictable tale of small-town crime and justice gone wrong. For just under a year, Reed has been corresponding with a charismatic local, John B. McLemore. McLemore has lived his whole life in Woodstock, a town he professes to despise. ‘Something’s happened’ he states in a phone call to Reed, ‘something has absolutely happened in this town. There’s just too much little crap for something not to have happened. And I’m about had enough of Shittown and the things that goes on’ (S-Town Chapter 1).
It is the kind of human-interest true-crime style content that Reed’s National Public Radio (NPR) colleagues have just made waves with for their breakthrough podcast Serial, and for which audiences of audio media are increasingly hungry (Dowling and Miller 168)…