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- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- *His Natural Life* and Its SourcesEssay1 May 1971
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Asia and the Contemporary Australian NovelEssay1 October 1984