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‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Short Fiction Short Nation: The Ideologies of Australian Realism

Repetition and Christina Stead’s *The Man Who Loved Children*

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Irish Republicanism and the Colonial Australian Bushranger Narrative

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

Recentring Water: Thinking with the Chain of Ponds

Shame in Ruth Park’s Inner Sydney Novels

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

William Hay and History : A Comment on Aims, Sources and Method