‘As a writer, it’s my job to go into the underworld, to collect the stories of the dead and bring them back to the living.’ Jessica White, Hearing Maud (11)
In ‘Crippling the Archives: Negotiating Notions of Disability in Appraisal and Arrangement and Description’, archivist Sara White aligns the theory of complex embodiment in disability studies – that is specific knowledge derived from particular disabilities – with archival practice. White writes that because understandings of disability have ‘evolved’ over the past century, ‘only recently have people with disabilities been recognised as an underrepresented group. As a result, archivists have just embarked upon documenting them’ (110). This mirrors the feminist archival reclamation that occurred during the 1980s and which, as Maryanne Dever, Sally Newman and Ann Vickery write in The Intimate Archive, mostly focused on ‘rescue missions in order to install past women writers in the archival record’ (15). These…