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- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Annual Bibliography of Studies in Australian Literature: 1999Essay1 May 2000
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022