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- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Literary Criticism in Australia: A Change of Critical Paradigms?Essay1 June 1991
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Inscription and the Settler Colony: Theorising Aboriginal Textuality TodayEssay25 May 2024
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996