National cultural histories are written in non-fiction books as much as in fiction. In works on current affairs, politics and popular history ideas are floated, criticisms made, old programs denounced and new ones declared. Such books not only report on the nation. They also work to construct new understandings of the nation as part of a struggle over national meaning and identity. Books such as Donald Horne’s The Lucky Country (1964), Anne Summers’s Damned Whores and God’s Police (1975), Henry Reynolds’s The Other Side of the Frontier (1981), Paul Kelly’s End of Certainty (1992) and Stan Grant’s Talking to My Country (2017) have changed the way Australian national affairs are discussed.
In this paper, I sketch a framework for thinking about the major phases in Australian non-fiction publishing between the late 1950s and early 2000s, focusing on works of current affairs, politics and popular history. My argument is twofold. First…