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The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Review of *The Literature of Australia*, edited by Geoffrey Dutton

Patrick White’s Use of Imagery

Early Evidence for ‘Bushranger’ and ‘Croppy’

Review of *Louis Becke* by A. Grove Day, and *South Sea Supercargo* by Louis Becke, edited and with Introduction by A. Grove Day

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Review of *Critical Essays on Judith Wright* Selected and with an Introductory Essay by A.K. Thomson

Review of *Critical Essays on Kenneth Slessor* Selected and with an Introductory Essay by A.K. Thomson

Gwen Harwood and the Professors

Review of *A Crucible of Prophets: Australians and the Question of God* by Veronica Brady