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- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Reading DickensEssay1 October 2014
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- A Checklist of the Poems of Robert D. FitzGerald, 1917-1965Essay1 May 1970
- Review of *The Dictionary of Australian Quotations*, ed. Stephen Murray-SmithReview1 October 1984
- Interview with Randolph StowEssay1 May 1982
- 'Orion' Horne and the Bushranger Daniel MorganEssay1 October 1983