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- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1987Essay1 May 1988
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989