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- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Joseph Furphy: An Annotated Checklist of Items in PeriodicalsEssay1 May 1984
- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Annual Bibliography of Studies in Australian Literature: 2008Essay1 May 2009
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021