Myra Morris (1893–1966) was a prolific author of poems, short stories novels and children’s books. Best known for her short stories, which were published in a wide array of Australian periodicals, Morris’s novels have been less celebrated. This essay considers The Wind on the Water (1938) set at ‘Four Mile’ in the Victorian Mallee region, which was serialised in the Australian Women’s Weekly and as a popular ABC radio broadcast after publication. Due to its generic romance elements, the novel’s quietly radical critique of the cruel subjection of women and animals has been largely overlooked by scholars. Reviewed widely at the time of publication, and reprinted in 1960, we argue that The Wind on the Water is of special significance to an understanding of the literary history of the Victorian Mallee.1
The following essay examines The Wind on the Water, alongside a selection of Morris’s stories, to position it…