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Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Site Unscene: Medial Ideology and the Literary Interface

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Patrick White’s Studies for *Voss*

Picturising Patois in *The Sentimental Bloke*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Henry Lawson: The New Zealand Visits

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke