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- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- An Indian without a CountryEssay1 June 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Counter-PoeticsEssay1 June 2011
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Annual Bibliography of Studies in Australian Literature: 1980Essay1 May 1981
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992