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Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

Short Fiction Short Nation: The Ideologies of Australian Realism

Repetition and Christina Stead’s *The Man Who Loved Children*

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

The Historical Basis of For the Term of His Natural Life

Charles Harpur and the Myth of Origins

Facey’s A Fortunate Life and Traditional Oral Narratives

*An Imaginary Life*: The Dimensions of Self

*Unspoken Thoughts*: A Reassessment of Ada Cambridge