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Ern Malley and His Rivals

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

The Fiction of Gabrielle Lord

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

In His Own Sweet Time: Carmen’s Coming Out

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Reading (in/and) *Miranda*

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Counter-Poetics

Salt Scars: John Kinsella’s Wheatbelt

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Helen Garner’s Education

Caesura and the Deforming Poem: Rupture as a Space for the Other

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Irish Republicanism and the Colonial Australian Bushranger Narrative