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Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

The Historical Basis of For the Term of His Natural Life

Charles Harpur and the Myth of Origins

Facey’s A Fortunate Life and Traditional Oral Narratives

*An Imaginary Life*: The Dimensions of Self

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

What Created, What Perceived?: Early Responses to New South Wales

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘This Country is My Mind’: Les Murray’s Poetics of Place

*Fredy Neptune*: Metonymy and the Incarnate Preposition

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley