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- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- Afterword: The Story of a BookmarkEssay1 June 2013
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Christina Stead’s Student PublicationsEssay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024