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- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002