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- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- Recollections Through English SpectaclesEssay1 October 1979
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- Joseph Furphy, JacobeanEssay1 December 1966
- More Substance to Fisher’s Ghost?Essay1 May 1968
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982