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- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Coetzee’s WomanizingEssay25 February 2018
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Helen Garner’s EducationEssay28 October 2021
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Means and Ends in WritingEssay1 October 1979
- Society and Nature in Such is LifeEssay1 December 1963
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989