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- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Interview with Randolph StowEssay1 May 1982
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- Society of Women Writers 1925-1935Essay1 May 2004
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999