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**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Francis Adams: Realism and Sensation in the 1880s

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Back to Whitton Week: Tracking Tom Keneally's Career

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

What is Australian Popular Fiction?

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Annual Bibliography of Studies in Australian Literature: 1973

Fred J. Broomfield: Research Assistant Extraordinaire

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

John Grant: Australia’s First ‘Really’ Radical Poet

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

**‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*