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The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Elizabeth Jolley’s Late Work

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Counter-Poetics

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Minding Elephants and the Rhetorics of Destruction

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

English Studies in Australia: Repositioning the Subject

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

**Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Reading in Public: Irene Longman and Citizenship

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*