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- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- H. G. Wells in AustraliaEssay30 May 1990
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018