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Review of *National Fictions: Literature, Film and the Construction of Australian Narrative* by Graeme Turner

English Heritage and Australian Culture: The Church and Literature of England in *Oscar and Lucinda*

Review *Henry Lawson, a Life* by Colin Roderick, *The Order of Things: A Life of Joseph Furphy* by John Barnes, and *The Life and Opinions of Tom Collins: A Study of the Works of Joseph Furphy* by Julian Croft

Review of *List of Australian Writers 1788-1992*, comp. by John Arnold, and *The Oxford Companion to Australian Literature*, by William H. Wilde, Joy Hooton, and Barry Andrews

Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*

Challenging Voices: Tracing the Problematic Role of Testimony in Political Change

When ‘History Changes Who We Were’

Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential Friend

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer Review

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna Johnston

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Perceptions of the Enemy in Australian War Literature

Back to Whitton Week: Tracking Tom Keneally's Career