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- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Recollections Through English SpectaclesEssay1 October 1979
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989
- Australian Bards and British ReviewersEssay1 May 1975
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- ‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*Essay1 May 1992
- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005