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- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Christina Stead’s Student PublicationsEssay7 December 2016
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Annual Bibliography of Studies in Australian Literature: 1992Essay1 May 1993
- Annual Bibliography of Studies in Australian Literature: 2000Essay1 May 2001
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Colonial Violence and Forgotten FictionEssay1 June 2009
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- The Values of *Critique*Essay30 October 2023