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- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Annual Bibliography of Studies in Australian Literature: 1977Essay1 May 1978
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Annual Bibliography of Studies in Australian Literature: 2006Essay1 May 2007
- Colonial Violence and Forgotten FictionEssay1 June 2009
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015