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Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Site Unscene: Medial Ideology and the Literary Interface

Helen Garner’s Education

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Colonial Violence and Forgotten Fiction