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- Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-RowstonReview30 September 2022
- Coetzee’s WomanizingEssay25 February 2018
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Interview with Christina SteadEssay1 October 1980
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for ChildrenEssay9 July 2018
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral LansburyReview1 May 1972
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- SonnetEssay1 May 1988
- The Historical Source for Ada Cambridge’s ‘The Camp’Essay1 May 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Review of *Liars: Australian New Novelists*, by Helen DanielReview1 October 1989
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994