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- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- H. G. Wells in AustraliaEssay30 May 1990
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Annual Bibliography of Studies in Australian Literature: 2006Essay1 May 2007
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985