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- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Literary Criticism in Australia: A Change of Critical Paradigms?Essay1 June 1991
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Society of Women Writers 1925-1935Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- John Tranter & Les MurrayEssay1 May 1982