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- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Reading Carey Reading MalleyEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- The Telling of Marmel’s StoryEssay1 June 2009
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Christina Stead’s Student PublicationsEssay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024