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- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Annual Bibliography of Studies in Australian Literature: 2003Essay1 May 2004
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016