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- An Interview with Gabrielle LordEssay1 October 1999
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- An Absence of PartisanshipReview1 May 1997
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023