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- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Patrick White’s Studies for *Voss*Essay30 September 2022
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- The Writing of CapricorniaEssay1 May 1970
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Rosa Praed’s Colonial HeroinesEssay1 May 1981
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- A Checklist of Black Australian LiteratureEssay1 October 1983
- War Poetry: Myth as De-formation and Re-formationEssay1 October 1985
- Romance Australia: Love in Australian Literature of ExplorationEssay1 October 1987
- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- Australian and New Zealand FictionReview1 May 1980
- Australian Criticism in ‘Transition’Essay1 May 1993
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- An Interview with Tim WintonEssay1 October 1996