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- Xavier Herbert: A ChecklistEssay1 October 1978
- Narrative Technique in LawsonEssay1 May 1980
- Nationalising the Author: The Celebrity of Peter CareyEssay1 October 1993
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- Intricate Knots and Vast Cosmologies: The Poetry of Judith BeveridgeEssay1 May 2000
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Editing ALS: A MemoirEssay1 June 2013
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Helen Garner’s EducationEssay28 October 2021
- Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)Essay30 September 2021
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024