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- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Review of *Harry Heathcote of Gangoil: A Tale of Australian Bush Life* by Anthony Trollope; with an Introduction by Marcus MuirReview1 June 1964
- Kenneth Slessor and the GrotesqueEssay1 December 1964