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‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Jack Lindsay

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

A Reconsideration of Christina Stead at Work: Fact into Fiction

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Ern Malley and His Rivals

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Review of *Bluestocking in Patagonia*, by Anne Whitehead

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence