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Research in Progress in Australian Literature [1965]

Christina Stead

The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*

Authors’ Statements [Thea Astley]

Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Boundary Crossing: The Novels of David Foster

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Words, Sticks and Stones: Keneally, Literature and Social Impact

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Lawson, the *Bulletin* and the Short Story

Interview with Hal Porter

Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Introduction

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Research in Progress in Australian Literature [1971]