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- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- John Tranter: Absence in FlightEssay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971