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- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- New Light on Ada CambridgeEssay1 May 1989
- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- Littoral Erosion: The Changing Shoreline of Australian CultureEssay1 May 1996
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- What is Australian Popular Fiction?Essay3 December 2018
- Annual Bibliography of Studies in Australian Literature : 1969Essay1 May 1970
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- A Decade of ComplaintsEssay30 October 2023
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Means and Ends in WritingEssay1 October 1979
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971