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- Review of *Clara Morison* by Catherine Helen Spence, edited by Susan Eade; and *Catherine Spence* by Janet CooperReview1 October 1973
- Edgy Laughter: Women and Australian HumourEssay1 October 1993
- Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud PeterssonReview1 May 1992
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- A Mate in PublishingEssay1 November 1994
- Reading *My Brilliant Career*Essay1 October 2002
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Review by Martin DuwellReview1 May 1991
- Helen Garner’s EducationEssay28 October 2021
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Review of *The Poetical Works of Charles Harpur', ed. Elizabeth PerkinsReview1 October 1984
- ‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore ScholarshipEssay1 November 2008
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Rosa Praed’s Colonial HeroinesEssay1 May 1981
- Review of *Letters of Mary Gilmore*, selected and edited by W.H. Wilde and T. Inglis MooreReview1 May 1981
- Alrene SykesEssay1 October 1990
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Review of *The Novels of Kylie Tennant* by Margaret DickReview1 December 1966