Your search for “1940s” found 181 results
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- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019