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Translating *Fredy Neptune*: Interview with Thomas Eichhorn

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

Jolley’s Women

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Inner Voices and the First Coil

Asia and the Contemporary Australian Novel

A.D. Hope and the Poetry of Allusion

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Society and Nature in Such is Life

Patrick White’s Four Plays

Review of *The Farthing Poet*: A Biography of Richard Hengist Home 1802-84, by Ann Blainey

Slessor’s ‘Five Visions of Captain Cook’

A.G. Stephens as Editor of Barcroft Boake’s Poems : A Comment

The Radiant Dream : Notes on Henry Kendall

‘The Ram of Albury’

The Prototype of Richard Mahony

Review of *Bread and Wine: Selected Prose* by Kenneth Slessor

Review of *Last Letters of Adam Lindsay Gordon* Edited by Hugh Anderson and *Adam Lindsay Gordon* by C.F. MacRae