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The Impact of Literature

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Poetry, Activism and Cultural Capital

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Repetition and Christina Stead’s *The Man Who Loved Children*

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

A.G. Stephens: The Critical *Credo*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Out of Context: A Study of Thomas Keneally’s Novels

The ABC and The Sponsorship of Australian Radio Drama: 1932-1951

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

The Dual Nature of Shaw Neilson’s Vision

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*