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- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- The Politics of English Studies in IndiaEssay1 June 2013
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- Towards the Source of ‘The Wanderer’Essay1 October 1979
- Review by Martin DuwellReview1 May 1991
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- Review of *Charles Harpur, An Australian* by J. Normington RawlingReview1 June 1963
- Patrick White’s Use of ImageryEssay1 June 1966
- Review of *Critical Essays on Judith Wright* Selected and with an Introductory Essay by A.K. ThomsonReview1 October 1969
- Short NoticesReview1 October 1969